Beat the Streets LA, My Favorite Intersection

This month marked the start of the Third Season for Beat the Streets Los Angeles, a sports-based youth development non-profit that I volunteer for.  For me it’s been a convergence of two things that are very near and dear; the sport of wrestling and being a creative.  Perhaps two things that I never imagined would intersect in my personal life.

Walking away from the sport, as a competitor, in 1998 due to injury was very difficult for me.  In many ways it was more challenging than the injury itself.  Doing something day-in and day-out, year-around from age 8 to 19… it’s something that becomes part of your identity.

I was fortunate to find architecture, and transfer into it as a Major for college.  And in some sense get lost in it.  Becoming immersed in architecture, particularly architecture school isn’t something that happened overnight but slowly over a couple years began to shape me, not unlike my years wrestling.   As in sport, the outcomes planned are not always reached but what might be gained along the way are intangibles; resolve, adaptability, an open mind.  These traits that cultivate growth through sports also foster creativity.  It was the kind of transition I needed after wrestling.  Unbeknownst to me, it was also something that would bring me back to the sport.

After college I headed to the East Coast eventually landing in New York at an architectural facade consulting firm in Lower Manhattan.  Over the Thanksgiving weekend of 2007, my wife Kat and I drove up to Albany to have lunch with my cousin Eric who was coaching (Assistant Coach) his university’s wrestling team, Oklahoma State, at the Journeyman Duals.  Still a fan of the sport, but not an active member in the wrestling community, I’d occasionally meet up with Eric to watch his team compete live, but mainly it was to just visit with him, as cousins do.  During our visit that weekend I chatted briefly with the head coach, John Smith, who I had gotten to know over the years while Eric was competing for Oklahoma State.  John asked me about work, about living in New York City and asked “Are you staying involved in wrestling?” to which I hesitantly answered ‘no’.  Without pause he suggested I get involved with a youth wrestling program in the City. He gave me a name and urged me to call.  He said they needed coaches.  The program was Beat the Streets.

I eventually followed up.  I contacted the director and he invited me to come check out the program.  It so happened to be in the neighborhood of my office.  The biggest school district in America and arguably the largest market of architectural firms in the world, and this one little school gymnasium for Beat the Street’s headquarters and my then office were 3 blocks from each other!  Fortuitous?

What started as ‘maybe I’ll stop by from time to time and help their coaches with the kids’ turned into two years as the Volunteer Coach for their training center, traveling to competitions throughout New York, Pennsylvania, Georgia and North Dakota.  That time with Beat the Streets New York, the original program in this now nationwide grassroots wrestling movement had a profound impact on me.  It was a chance to give back to the sport that gave so much to me.  And in 2010, when a job opportunity came around that would relocate Kat and I to Los Angeles, it was one of the hardest parts about leaving New York.  I was leaving behind friends and coaching relationships forged in the fire of the sport.  I felt, reservedly, like I was leaving wrestling again.

About eight months after arriving in LA, I was contacted by Andy Barth, a business man and former wrestler whose supported wrestling from the Youth to Olympic level across the country.  Andy was planning to launch a Beat the Streets program in Los Angeles, and was looking for ardent like-minded people to help bring the program to fruition.  I was in.

Today, three and a half years later, I feel honored to be part of such an outstanding organization and was blessed to have been there for it’s genesis in LA.  Who would have known that the lessons learned about the creative process in school would have fostered an appetite for photography and storytelling?  What’s more, who would have known that I’d be able to apply it to wrestling?


If you’d like to learn more about Beat the Streets Los Angeles and our mission visit our website.  And to see the full coverage with more photos of the Season Kickoff check out the article HERE.

BTSLA wrestlers warmup during the first tournament of the season.

BTSLA wrestlers warmup during the first tournament of the season.

Wrestlers from San Fernando and San Pedro hop through their warmup drills.

Wrestlers from San Fernando and San Pedro hop through their warmup drills.

BTSLA Board Member Tyler Baier gives a technique clinic to kickoff the Season Opener.

BTSLA Board Member Tyler Baier gives a technique clinic to kickoff the Season Opener.

Bright Star student Nathaniel Botello begins his 3rd Season with Beat the Streets LA.

Bright Star student Nathaniel Botello begins his 3rd Season with BTSLA.

Attack Bandz match between two rookie Beat the Streets LA wrestlers.

Attack Bandz match between two rookie BTSLA wrestlers.

Newest members of the San Pedro BTSLA program enjoy their first wrestling tournament.

Newest members of the San Pedro BTSLA program enjoy their first wrestling tournament.

 

Handmade, by Grandma

My wife and I feel so blessed to have a daughter who is healthy and happy.  We find as much joy and laughter out on the road taking our daughter to explore new places as we do at home in her room watching her learn…umm some from us and other lessons from her surroundings.

Part of what makes her surroundings so rich, not in dollar, but in depth is what we’ve filled her room and our home with.  Personal treasures handed down through family from parents to us, and us to our daughter. And what’s more, in the 17 some months since she was born, the prize personal pieces with which her grandparents have made for her.

She sleeps in a poplar and maple wood bed, handmade by her grandpa (my dad), accompanied by a wall mounted frame and headboard of restored pine boards which were recovered from my late grandmother’s home and once part of an early 20th Century rail yard. (Hint: future article on my dad)

And just this week, the newest arrival from the hands of her grandma Alba (my wife’s mother), two pairs of rag dolls inspired by designer Jess Brown.  My mother-in-law, Alba, started with three Japanese kimono mannequin for dolls my wife found at the Rose Bowl flea market some years back, and then in an afternoon converted the headless cotton-canvas straw filled miniature bodies which undeniably looked like teeth, into these delightful pieces of craftsmanship that you see here.  Brought to life with imagination, my mother-in-law stitched together a full set of appendages and clothed the dolls in my daughter’s outgrown clothes, picked and paired together by my wife.

Watching our daughter pay such focused attention to detail in these pieces are some of life’s often overlooked rewards.

One dreams that imagination and a passion for making will continue to pass down from generation to generation.

 

Photo by Brian Guerrero_kabriDWL

Alba at work converting the original Japanese doll kimono mannequin.

Photo by Brian Guerrero_kabriDWL

Photo by Brian Guerrero_kabriDWL

A mix of Emi’s old clothes and found patterns.

Photo by Brian Guerrero_kabriDWL

Original Stamp from early 20th Century Japan.

Photo by Brian Guerrero_kabriDWL

Photo by Brian Guerrero_kabriDWL

Photo by Brian Guerrero_kabriDWL

Emmersed in the details.

Photo by Brian Guerrero_kabriDWL

Photo by Brian Guerrero_kabriDWL

Taking the rag doll for a test run.

Photo by Brian Guerrero_kabriDWL

Photo by Brian Guerrero_kabriDWL

Emi’s new collection of Japanese and Jess Brown inspired rag dolls, handmade by Grandma.

KABRI DWL - LOS ANGELES BASED CREATIVE STUDIO

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